Sheri-D Wilson

T-Z

[Author Name]

Biography

Sheri-D Wilson is the award-winning author and creator of 13 books, 4 short films, and 4 albums which combine music and poetry. 

In 2019 she was appointed one to the Order of Canada, for her contributions as a Spoken Word Poet and her leadership in the community. In 2017, she received her Doctor of Letters—Honoris Causa from Kwantlen University. She is Poet Laureate Emeritus of Calgary 2018–2020.

A strong advocate for social change and community building, Sheri-D was Founder & Director of: Calgary Spoken Word Society (2003-2021) & Spoken Word Program | The Banff Centre (2005-2012).

www.sheridwilson.com

Poetics Statement

Read, love, listen, write, dance and sing – cry out – make waves – stand your ground firmly – experience big – be brave – be vulnerable – know who you are – give back before you take – and remember – you’re always learning – make mistakes
 

Sample of Poet's Work

FOREST BATHING

There’s more to a forest than trees

Arboreal salamander 

Red eyed frog, translucent as glass 

Whip-poor-will, chickadee

Hornbill, toucan, hummingbird

Yellow-bellied sapsucker, aye-aye

Acorn woodpecker, sharp-eyed fox


There’s more to a forest than trees

Scarlet tanager, buttercup

Solitaire, chameleon, chipmunk, grey wolf, deer

Flying dragon, lizard lord, iguana, dreamflower, newt

Rattle bone, white stag, weevil


There’s more to a forest than trees

Laughing owl, hoot hoot

Omen rabbit, ladybug

Black cat skull, skeleton bone, Lo Shu turtle shell

Orangutan, bonobo, all alone in lingo

Bluebell, bluebell

Bird cherry, bird cherry


There’s more to a forest than trees

Orb weaver spider, fungi, moss

Monarch butterfly, beetle, honey-bee

Earwig, ant, Kinnikinnick, foliage bug, lunatic

Gypsy moth, pseudocentipede

Call me damselfly in distress

Cause I’m a wild life worshipping zoetic mistress

Tree hugging temptress, hemptress

It’s all arborolatry to me

There’s more to a forest than a tree



I stand in arbor amour 

In reverie, I deify all creatures in trees

The whole tree ecology, really

I can’t just idolize one tree

Must praise the whole arboricoles


Down on my knees, up from my root, I pray to trees 

And meditate, as trees speak to me, and sing

In the wild of weald open wide world

The woods are quiet but never silent


I cross over unfurled, and turn into 

A full-bodied dendrophile—Daphne! Daphne!

The wind blows that curious way, up my bark

Exclamation mark: I beseech you!


Allow me to wade into the wilderness of you

Slip into, dip into, your fertile earth 

And there let me bathe

In your girth, your grass, your sage

Dear glade, feel the ring 

Of a thousand lifetimes in each line

As you turn my page, voice and music wed

Tingling porcupines up my spine

All quill and musk, nothing left unsaid

By your erogenous breeze

If this be tree-gasm please

Cwm/ cwm/ cwm, draconid, draconid

Cwm/ cwm/ cwm, draconid, draconid

Let us breathe together, and slow


Allow me to soak in your woodland air

Oxygenize, in a perfect photosynthesis 

Eco-erotic deliciousness—let me breathe

Eternity—aerie of eagles

Rustle through my leaves and needles

As you saturate me

Plunge me into biodiversity

Please, let me breathe, in your families 

Of trees—dear forest—your chorus

Sings in aromatic keys 

All ogham, shadow play

Cwm/ cwm/ cwm, draconid, draconid

Cwm/ cwm/ cwm, draconid, draconid

In harmony from floor to canopy


Take me, as I take you—the way you are

Humanities pheromone labyrinth, please

Splash me in old growth ecology,

In the deep sigh of phytoncide 

Slowly immerse my entire being

Deep inside, till there’s no line between you and I

Merge and submerge

In each other’s eyes 

We don’t disappear, but stay here

In a catharsis of true nature

Cwm/ cwm/ cwm, draconid, draconid 

Cwm/ cwm/ cwm, draconid, draconid

Forest green


You cleanse me

Etch your initials on my body 

Back and thigh, invisible tattoo 

Ouroboros, snake and dragon eye─

Look up to your branches, your sensorium crown

Washes over, stillness, reverberates undulates

Cwm/ cwm/ cwm, draconid, draconid

Cwm/ cwm/ cwm, draconid, draconid

You are every book I’ve ever read



I’ve stood in a stand of many of you, trees

And taken a stand for your mysteries

I’ve slept in groves of ancient Oak, and dreamed

Lost sensations awake, till I woke

I’ve danced among Trembling Giants 

It is told, all 47,000 Aspen trees in the grove

Share a single root—and when we breathe

We breathe Quaking Aspens, 80,000 years’ old

In a breath of a billion leaves 

In a breath of a billion leaves 


In grief I’ve been held 

In the arms of the hallowed roots 

Beneath Gog and Magog, among Mists of Avalon

I’ve made love against the moss of Carmanah

To belong, to the cathedral chant of peace,

And I have overheard Arbutus scream

As she peeled back her bark, and sang in a high-pitched 

Cry, source of essence, phosphorescent

I have seen tears of the tree of joy in rapture

A deep song sorrow I cannot capture

Unless I separate my heart

From knowing, I am human

As I long to belong with tree 

Bone and bole and bark and branch


In a shower of blazing stars, draconid

I’ve wandered, perambulated botanical bohemian though Pines

And Firs and Cedars and Cypress 

In the shivelight of Olive, Willow, Ash, Ginkgo, and Yew

Of Bohdi, Baobab, Redwood, Rowan, and blue Birch

As they died and as they grew

In my search, my endless search 

For aeaea—aeaea—cwm/ cwm/ cwm

Draconid, draconid

Albino raven galw/ galw / galw


A forest takes centuries

There’s more to a forest than trees

We plant—we breathe—because of trees

We plant—we breathe—because of trees

We plant—we breathe—because of trees

Centuries—


eco echo

eco echo

eco echo

eco echo

eco echo

it takes centuries for a tree to know

to speak—listen—ogham


eco echo

eco echo

eco echo

eco echo

eco echo

ouroborus—ouroborus—ouroborus


when I finally returned to the forest 

the place I learned to love so long ago


and the forest was gone

cut down 

to the ground—clear cut


and all that was left 

was a hollow echo—echo

post-apocalyptic wind


everything else had died

and I realized 

there is nowhere

to run

to hide


I am sorry


I am so sorry


I am sorry


©Sheri-D Wilson 

The Book of Sensations (2017, U of C Press)

ODE TO MY MICROSCOPIC LIFE (IMPOSSIBILITIES)

ODE TO THE MICRO-OPUS

PART I – PREAMBLE:

Last year a Vancouver magazine calls me

And they say: In 1991 you were on the cover of our magazine

And one of our young interns was going through 

The old archives, and they found the issue...


And we’d like to remix your pix

And use it on the cover of our magazine next month


Wow Cool, I say 

And I’m thinking, 

I’m going to look like I haven’t aged a day

In twenty years


Great, she says, 

We’ll use you on the cover

And oh I should tell you 

We’re going to call the issue 

“Micro-celebrities”


Silence

Micro-celebrities…


Do you mind? 


Silence

Micro-celebrities…


Do you mind? 


Silence

Micro-celebrities…


Do you mind?


So I say,


PART II – ODE TO MY MICROSCOPIC LIFE:

to the micro-micro dot 

the quantum shot—rife with “drink me” alter rot

to coming in under-the-radar 

maybe millionth, between centi & zepto, milli & nano,

‘cause there was no race, in the first place

just open space by-which to muse

to dance up-close, no socks no shoes  

with a beautiful delusion of bones,

like a rhizome poem; or to zoom-in tight 

on a biome org—the complete unknown

so synonymous with anonymous, 

my life’s almost hieroglyphic, microfiche-alistic

zip zilch zero—that’s me, a beautiful mythic

snippet of micro-free-dom, I say

maybe I’m an Apeirophob

with the mortal fear of infinity—not divinity 

my life in the vicinity of obscurity 

a molecular semi-celebrity, 

if I were a marble I’d wanna be a peewee

surveillance cameras are the only paparazzi for me


Ode to the quasi, and the demi-tasse

to the infinite infinitesimal

and the ass with sass in a micro-mini

and the stingless drone, who lives to love

and the microphone, of cosmic-cosm’s above

so below; then again, the zero in tarot is birth 

of our hero/heroine’s first breath toward death

the new million’s a trillion, and I’m comin’ in 

nothin’ for nothin’, I’m a trilobite

compact disk—with nothing to risk, except the calamity

of my own omni-vision vanity 

RAM ROM RAM ROM DNA—d’oh!

Microb! “attack of the killer micros”

they’re as big as micro is soft

so not to be micro-scoffed

and I hear Jiminy Cricket’s a macrophiliac

with a giant fetish, so I guess you’d say

he was micro-giga-boffed, obviously

I’m not an eve I’m an atom

the bigger I get the smaller everything looks—

a floccinaucinihilipilification

surfing the micro waves


Ode to being and nothingness and the minimalist 

to the tiny titanic and the minuscule gigantic 

to the micro macrobiotic and the macro micro-icontic

naked to the unnaked eye—we’re all size etherized

when the only way to be seen, is through a lens

on a slide—then, get a midway ticket and take a techno-ride

straight into humanity, cause that’s what I chose

over social insanity—compression oppression

denied, denied, denied,

as Gertrude Stein so aptly put it on her death bed

when she said:

Now what was the question?

Now what was the question?

Now what was the question?


© Sheri-D Wilson

Goddess Gone Fishing for a Map of the Universe (2012, Frontenac House)

 

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